We are pleased to announce a collaboration with internationally acclaimed photographer Leslie Kee, whose work has helped shape the global fashion and art scenes and who has photographed numerous renowned figures and leading global media.
In April 2026, at a photo book launch event held at Blue Note Place in Tokyo, textile tapestries printed with FOREARTH brought a dynamic visual presence to the venue, unveiling a new spatial approach to photographic expression.
At the event, more than 30 photographic works were transformed into large-scale fabric tapestries and displayed along the second-floor balcony surrounding the space. The soft texture and translucency unique to textiles interacted with light and airflow, enhancing both the depth and nuance of the images. This created a novel mode of presentation distinct from traditional paper or panel displays, extending throughout the entire venue.
FOREARTH eliminates pre- and post-processing steps, adopting a streamlined workflow centered on printing and drying. This significantly reduces the number of processes, enabling both lower environmental impact and shorter production lead times.
Originally, the exhibition had been planned using paper-based displays; however, due to various constraints, this approach proved unfeasible. As alternative methods were explored, Leslie Kee’s strong desire to present his works beautifully and appropriately—drawing on his extensive experience exhibiting worldwide—led to the adoption of textile printing using FOREARTH. Despite the short preparation period, the exhibition was realized in a way that optimally complemented both the works and the space. By introducing “fabric” as a new medium, the expressive potential of photography was significantly expanded.
This collaboration stands as a symbolic initiative demonstrating the new value created at the intersection of photography, textiles, and spatial design.
FOREARTH Printing
“My encounter with FOREARTH felt both unexpected and inevitable. I have always placed great importance on how my works are displayed and how they exist within a space. Until now, photography exhibitions have typically relied on paper or projection, and this was my first experience presenting photographic works on fabric.
The moment I saw the completed tapestries, I felt that the softness and gentleness of the fabric gave new life to the images. As the appearance shifts with light and airflow, it feels as though the photographs are breathing within the space. It revealed possibilities that could never be achieved with paper.
I also deeply resonate with the name FOREARTH. Its philosophy of eliminating unnecessary processes for the sake of the planet and the future is something I believe is essential—both as an individual and as a company. Through my involvement in the United Nations and SDGs-related initiatives, I constantly think about how we shape the world beyond 2030, and FOREARTH represents one possible answer.
Even within a short timeframe, this exhibition became a reality thanks to both rapid execution and strong mutual trust. Through this new option of preserving photographs on fabric, I look forward to continuing to expand the possibilities of expression.”
Leslie Kee is a Singapore-born photographer active on the global stage. Based in Tokyo and New York, he transcends the essence of art, the distinctive appeal of fashion, and the subtle beauty of advertising, showcasing his refined skills as a film director around the world.
His photo book “TIFFANY supports LOVE AND HOPE,” created in response to the Great East Japan Earthquake, received the 40th APA METI Minister’s Award.
Launched in New York in 2004, “SUPER Magazine” is a series dedicated to photography and art, featuring collaborations with global brands and artists such as Lady Gaga, Beyoncé, Pharrell Williams, and Yumi Matsutoya, establishing a new cultural benchmark.
Through the “OUT IN JAPAN” project, he captures the authentic voices of Japan’s LGBT community through his lens. The work was selected as a Jury Recommended Work in the Entertainment Division of the 19th Japan Media Arts Festival. He also directed the music video for the United Nations Sustainable Development Goals (SDGs) theme song “Koi no Boogie Woogie Train,” working in collaboration with the United Nations Information Centre to promote the SDGs.
Since 2016, in partnership with NHK, he has led the project “→2020 Portrait Message Connecting by Leslie Kee.” As a campaign to inspire hope for the Tokyo 2020 Olympic and Paralympic Games, it unified the dreams and aspirations of people across Japan. With his visionary perspective, he directed and photographed over 2,000 official portraits and impactful promotional videos.
The decorations printed with FOREARTH